Category: Movies & Books

Movie of the Month: The Edge of Never

Posted by – July 14, 2010

Movie of the Month: The Edge of Never

Director: William A. Kerig

Year: 2009

Where can I find it? www.edgeofneverfilm.com/

The Edge of Never has easily become one of my favorite ski films. Although, I suppose “ski film” isn’t exactly the correct classification for this movie. Perhaps the correct classification is “ski documentary”. In Edge of Never, Kerig documents 15-yr old Kye Peterson, being guided by Glen Plake, Mike Hattrup, and Stephane Dan, down the Glacier Rond in Chamonix, the same run his father died on over ten years before.

Kerig tells the story from the beginning, detailing how he called up Glen Plake wanting to make a film about “the heart and soul of skiing”. Kerig wanted to travel to Alaska to do so, but Plake steered him in another direction. Kye Peterson skiing the Glacier Rond was Plake’s idea.

The Edge of Never documents Kye’s travels to Chamonix, and his family’s struggle to let him go there. Only 15 years old, Kye is an excellent skier, but has a lot to learn about the mountains, especially in a place like Chamonix where a skier dies nearly every day. Kye is mentored by Anselme Baud, one of Chamonix’s premier pioneers of ski mountaineering, whose guidebook led Kye’s father around the terrain of Chamonix. But, he is also mentored by the famed Glen Plake and Mike Hattrup, as well as their guide Stephane Dan (called “Fanfan”). Together, they teach Kye how to “read” the mountains and how to make controlled turns in steep, inconsistent snow and terrain. After a ski down the Couloir Poubelle, featured in Greg Stump’s Blizzard of Ahhhs (in which Plake and Hattrup are featured), it is decided that Kye is ready to ski the Glacier Rond.

The Glacier Rond segment begins with a surprise visit by Doug Coombs. In the book Edge of Never, Kerig explains that this visit by Coombs was unplanned. But, it’s clear that Coombs wanted to meet Kye. Coombs explains to Kye that he knew his father well, and that they skied many first descents together. But, the visit was short. Kye and Coombs went their separate ways, although the novel explains that Coombs later returned to try to ski the Glacier Rond with Kye, but their group was already experiencing difficulties, and Coombs was discouraged from joining them.

On the arete above Glacier Rond, Kye takes out an aluminum bottle with his father’s ashes. As suggested by Plake the previous night, Kye throws his father’s ashes over the Glacier Rond, and asks for a moment of silence. Kye’s voice is often monotone when speaking of his father, but it is clear that Kye is merely trying to suppress his emotions.

Trevor Peterson, Kye’s father, was a well known extreme skier making his way through the ski industry in the late 1980′s and early 90′s. He died in 1996 while skiing the Glacier Rond solo. Not everything is known about his death, but it is clear that he died in an avalanche, likely triggered by himself, in a section called the Exit Couloir. Trevor was not buried in the avalanche, but died from trauma-related injuries, although it is not clear weather his death was instantaneous.

Kye, Fanfan, Hattrup, and Plake ski the Glacier Rond together. Sunlight is quickly fading on them, as is clear in the movie, so it is obvious that the group was pressed for time. Still, Fanfan took the time to make sure that Kye was attached to a rope through the more dangerous and icy portions of the steep Glacier Rond. The film does not show the group’s descent through the Exit Couloir, largely due to their limits on time and the quickly encroaching nightfall. But, the book also explains that their one remaining cameraman had to head down because his wife was giving birth.

The Edge of Never capture’s Kye’s innocence and naivety in a way that is lovingly funny. Something in you just wants to snatch this kid up and give him a giant hug. But, at the same time, Kye’s Chamonix experience is a coming of age story. Kye clearly transforms from a boy into a man, from a jibber park skier to a ski mountaineer. This would not have been possible if it weren’t for the help of Plake, Hattrup, Anselme, and Fanfan.

One of the most touching scenes of the documentary was a sensitive moment captured between Anselme and Kye. Anselme points to the Gervasutti Couloir and explains that his own son, only 24 years old, was taken down there and killed by a serac before his own eyes the previous spring. “This is a bad story,” says Anselme, “but it is a beautiful life. And anyway the mountain is here. We have to take the best of the mountain and follow life.”

But, the character that stood out the most for me is Glen Plake. In Stump’s movies of the 90′s, Plake appeared as a debaucherous star-crazed adrenaline junkie. But, The Edge of Never makes it clear that Plake was either stereotyped by Stump or has changed. Plake acts as a father to Kye and a mentor to Kerig. The Edge of Never would not exist if it weren’t for Glen Plake.

At the end of the movie, Kerig admits he “got complacent”. He and the film crew were relieved after Kye skied the Glacier Rond both successfully and safely. Afterword, they went out to film Fanfan and two ripping girls (Meg Oster and Kasha Rigby), but tragedy happened. Someone fell deep into a cravasse, resulting in multiple bone fractures and other injuries. His condition was so serious that he had to be rescued via helicopter. Though his injuries were life-threatening, the person indeed made a full recovery. Kerig, however, blamed himself for this misfortune. Still, and interview with the character shows that he believes he himself is to blame.

One of the closing scenes of the documentary shows Kye, 4 years later, shredding in the backcountry, the Tantalus Range. It’s obvious that he has become comfortable in the backcountry, skiing big lines. But, he still likes to throw in his “jibber” tricks every now and then. Kye has grown into a real skier, poised and perfect. Kye also looks just like his father.

Kerig wraps up the point of the movie by stating, “This journey has shown me that it’s not about choosing between a life of passion and the people you love. The real question is whether you have the courage to take complete responsibility for every choice and the faith to fully embrace every moment.” His ending statement is consistent with the theme of The Edge of Never- Ski mountaineers are one big family. Although Kye lost his beloved father, he gained an amazing family.

Book Review: Two Planks And A Passion

Posted by – June 29, 2010

Title: Two Planks And A Passion

Author: Roland Huntford

Year: 2008

For those of you who check my blog frequently, you may have noticed this book on the sidebar for most of the winter under “Currently Reading”. At 390 pages, I would normally finish a book like this in a month or so, but this one took considerably longer. Why did this book take so long? For starters, it is written very dryly and matter-of-factly- picture the teacher in “Ferris Bueller’s Day Off” writing a book like this. The other reason the book takes a while to read is that nearly every sentence has a lot to say.

I’ll start off with the things I didn’t like about this book. Besides the somewhat droll writing style, my main complaint with the book was what I would call a lack of organization. Something tells me this book never started with a well-developed outline, for one paragraph could easily go through several centuries and multiple continents without any discernible tie between them. The book attempts to follow skiing in a chronological order, but at times it jumps around- a lot. The other thing that bothered me quite a bit about this book was what I felt were the author’s biases towards the following things: nordic over alpine, Europe (especially Scandinavia) over everywhere else, and a fascination with the slight contributions of the English to the skiing world. Scandinavia unquestionably reigns supreme when it comes to the history of skiing, but in my opinion that doesn’t mean that North American contributions like the world’s first charlift in Sun Valley barely merit one sentence.

On the other hand, parts of this book were utterly interesting. Ski shapes from the very beginning (10,000 years ago) have run the gamut, including what most people would consider to be “new” shapes, namely fat (over 100mm in the waist), reverse cambered, and reverse sidecuts. It seems that “what is old is new again”. As a reference work, the amount of information in this book is simply astounding, and it’s hard to imagine another book covering such a vast array of ski facts.

Overall, I’m happy to have this book as part of our library. I am quite sure that this book will come off the shelf frequently to look up a specific fact or two that can’t be found on google. Still, I wish this book had all the same information but had been written by a different, and better, author. Comparing ancient and modern skis and skiing styles could have made for a much more fascinating book. And as a ski mountaineer, I wish the book had had a chapter on the development of that aspect of the sport. But on a final note, I think that knowing the history of skiing only leads one to appreciate it more, and on that level, this book is a must-have for any serious skier.

Movie of the Month: Downhill Racer

Posted by – June 14, 2010

Movie of the Month: Downhill Racer

Director: Michael Ritchie

Year: 1969

Where can I find it? Barnes & Noble

Downhill Racer is unfortunately the first movie I will have to do a negative review for on this blog.

First, let me give a bit of background information. Downhill Racer is considered to be one of the best movies about skiing by many people. This movie stars Robert Redford, who plays David Chappellet, an up-and-coming downhill skier from Idaho Springs, Colorado, who finds himself amidst the fast-paced World Cup tour in Europe. His race results improve quickly, and he becomes a star in Europe. Along the way, he deals with his bully-minded coach, played by Gene Hackman, who knows that Chappellet is a complete egotistical jerk but still wants him on the team so Team USA can win a gold medal in the upcoming Olympics. The movie follows over two years of Chappellett’s ski career leading up to the Olympics. But, just two weeks before the Olympics, Chappellett’s teammate falls during a race and breaks his leg. This teammate is both a friend and foe to Chappellett, as they are both medal contenders. But this injury leaves Chappellett the only hope for Team USA to win a medal in the Olympics. As easily predicted, Chappellett has the run of his life and wins Olympic gold.

So, what didn’t we like about this movie? First off, most of the characters are not likable. Frank and I are skiers ourselves, and realize that the industry is full of ego-freaks. Still, these ego-freaks often have some trace of humanity in them, or else they will lose public interest or even their sponsors. However, Chappellett is basically a self-centered womanizing jerk. There is simply nothing to like about him. He’s mean to everyone around him, even his own father. We feel like this movie is giving the depiction that all good skiers carry this same attitude, which is simply not true. And the coach? Well, he’s about the most uninspiring coach around. Every “pep talk” he gives to Chappellett is demeaning. It’s hard to like a movie when you don’t like the characters. But, we also did not like the storyline. The movie is simply difficult to follow. Huge lapses in time occur, leaving viewers confused about time and place. And the movie plot is followed by the viewer through a series of conversations, some of which don’t always make sense- even to the seasoned skier or racer. There was little character development- we never really knew why Chappellett was always acting like such a jerk.

The one positive we would give this movie is the cinematography. The camera caught the essence of the equipment and the races of old-days. At times, it’s actually scary to watch. Some of the scenes which show close ups of skiers skiing down the slopes are amazing– difficult to imagine how that captured those scenes using older cameras.

Generally, I like older ski movies. However, I did not like Downhill Racer. Still, I have grown up hearing about this movie my entire life. It seems that you cannot be a real skier if you have not seen this movie. Therefore, I’m glad I took the hour and forty-one minutes to view this film. And I would recommend this movie to other skiers, simply because it is such a historical classic in our sport. Hopefully others will enjoy it more than us :)

Trailer on YouTube: http://www.youtube.com/watch?v=U-OU7xHYF_Y

Jim E Drops The Big One

Posted by – May 3, 2010

This spoof on big mountain filming was pretty funny, in my opinion, so check it out if you’ve got 10 minutes…

Book Review: Breaking Trail

Posted by – April 17, 2010

Title: Breaking Trail

Author: Arlene Blum

Year: 2005

Arlene Blum’s Breaking Trail is a book that I felt I could relate to on so many uncanny levels. Although Blum was never a skier, she was a high-altitude mountaineer. Her collection of adventures includes her childhood in the Midwest, a huge desire to leave the area where she grew up, choosing to focus her major in Chemistry, playing in the mountains, traveling to exotic places, and taking part in male-dominated fields such as mountaineering and chemistry —all things which I have done in my own life. Despite my obvious bias, Breaking Trail is a great book for any mountaineer as it takes place when the sport was being revolutionized. This novel is also a great inspiration for any woman trying to find her place in a male-dominated world.

Blum speaks openly throughout her novel. From her harsh childhood with a depressed mother, over-protective grandparents, and a father who abandoned her to her many love interests in college, the mountains, and beyond, Blum tells her stories retrospectively. Readers can tell that certain issues have plagued Blum throughout her life and that writing about them has allowed Blum to come to a sort of reconciliation with these events.

Blum clearly lived a life full of adventure. Some of my favorite stories included her accounts of leading all women’s treks up Denali (1970), Annapurna (1978), and Bhrigupanth (1980). I also enjoyed Blum’s account of her Peak Lenin attempt (1974), full of amusing cultural encounters being that the peak was located in Russia during this Cold War era. Also engaging was Blum’s tale of her Endless Winter, where she and her friends traveled around the world, peak-bagging in remote countries like Ethiopia, Uganda, Kenya, Tanzania, India, Nepal, Afghanistan, and Iran.


Photo from arleneblum.com.

While Blum’s climbing career was met with much success, like many high-altitude mountaineers, Blum found herself surrounded by death. Blum’s first loss was that of her love-interest, John Hall, and three of her other friends in and avalanche on Mt. St. Elias. Accidents would continue to plague Blum, with 15 people perishing on Peak Lenin, two of her team-members dying on Annapurna, and another love interest, Bruce, falling through a cornice on Trisul in India. Each loss was not taken lightly by Blum and she often reflected upon the risks of the sport she loved. Eventually, Blum decided she’d had enough loss in her life and shifted her mountain adventures away from high-altitude to long treks. In 1982 she traversed the Himalaya from Bhutan to the Pakistan border.

Throughout the novel, Blum tried to balance her climbing life with her professional world. Blum studied chemistry and biochemistry and then began researching the structure of tRNA. Eventually, Blum’s research shifted to protein folding. Blum’s research in these areas laid the foundations for further discoveries in biochemistry. However, as Blum began to experience other cultures, she decided to reevaluate the goals of her research. Blum wanted to “do practical research that would have a direct positive impact on the world” (Blum, 228). Blum began studying whether certain substances were cancer-causing. Because of her revolutionary research, Tris, a flame retardant used in many children’s clothes, was discovered to be a carcinogen and was finally prohibited. Blum’s career continued to shift. Leaving her cancer research behind, Blum eventually found herself leading trekking trips in various countries.

Another theme inherent in Blum’s novel is the difficulties of being a woman in a male-dominated world. Blum’s first encounter with this was in her childhood, where women weren’t supposed to be good in math or science. But, the Cold War gave new focus on education, allowing Blum to explore these subjects deeply. This theme extended even into her own orthodox Jewish religion, where women weren’t supposed to pray. Blum continued to fight battle after battle. An MIT professor told her, “We’ve never given a girl a PhD in physical chemistry. And we never will” (Blum, 30), yet Blum earned her PhD from Berkeley. She was turned down from various climbing permits and climbing trips, based on the premise that she was a woman, a tall woman, a Jewish woman, and an outgoing woman. Yet, Blum prevailed through it all, continuously fighting against the tide. Blum’s actions, both in the world of climbing and the field of chemistry, helped open future opportunities for women.

Breaking Trail is the story of Arlene Blum. Although Blum’s novel is an excellent historical account of many climbing tales during a time when the sport was quickly progressing, her novel is so much more. Blum’s constant encounters with hurdles that she must overcome, from being denied privileges based on the fact that she was a woman to the many losses she had to face, turns this story into one of inspiration. Blum climbed these peaks too, and it’s a story worth reading.

For more information visit www.arleneblum.com/

Great Article from Climbing: Female Mountaineers in the Karakoram

Posted by – April 11, 2010

Lizzy Scully contributed an article in Climbing magazine highlighting the history of female mountaineering in the Karakoram, a region in Pakistan presently torn apart by war. Female mountaineering has had a strong presence there, pioneered by well-known Fanny Bullock Workman back in the early 1900′s.


Fanny Bullock Workman

Since then many women have paved the way, including Hettie Dhyrenfurth, Alison Chadwick-Onyszkiewicz, Wanda Rutkiewicz, Chantal Mauduit, and many others. The article talks briefly about the contribution of many women, and the double-standards that so many women have to face in a male-dominated sport.


Wanda Rutkiewicz

Check out the article on Climbing Magazine’s website here: In the Footsteps of Fanny: Women in the Karakoram

Australis Trailer

Posted by – January 29, 2010

Australis: An Antarctic Ski Odyssey from Granite Films Jim Surette on Vimeo.

Australis: An Antarctic Ski Odyssey, created by Granite Films, tells the story of a journey to Antarctica taken last November and December by Chris Davenport, Stian Hagen, and Andrea Binning. The trailer sets the mood for adventure, exploration, and humbling experiences. True to 14erskier’s style, I can’t wait to see this movie in full upon it’s release in Summer, 2010.

Book Review: Instant Karma: The Heart And Soul Of A Ski Bum

Posted by – December 30, 2009

Wayne Sheldrake’s Instant Karma is a somewhat autobiographical book examining the author’s love of skiing and the paths in life that skiing has taken him to. As a lifelong skier whose life has so largely been dictated by my love of skiing, this was certainly a book that I could relate to.

I found some parts of the book to be somewhat aggravating, and contrary to the premise of what a ski bum truly is. For instance, one of the early chapters describes the author venturing out on a deep day at Wolf Creek, a day described as “too deep”. Apparently, no other skiers would even head out into the storm, and the whole scene described seems so out of whack for what a true ski bum does- namely, live for the deep days. At least the author eventually left the lodge to ski powder.

Another interesting chapter involved the author’s move to the plains of SE Colorado. I’m not sure how many self-respecting ski bums move to the plains, but at least the author continues to ski on weekends, packing up the family and driving several hours each way to go skiing.

Still, the author’s deep felt love of the sport comes through. His suffering while away from skiing after a major surgery comes through loud and clear. It’s something I can’t even imagine. His descriptions of resenting summer and going into a state of “estivating” through the summer (estivate being the opposite of hibernate, lying dormant in winter) hit home for me. I still can’t stand summer.

What keeps skiers like me entertained year after year? I mean, it should get old after a few years, right? Sheldrake says it well in this passage: “It can never be the same. Even on a fresh day. The temperature is different. The light is different. It might be delightful, joyous- even orgasmic- but never the same. It makes skiing as sad as jazz. All improvised and all lost in the midst of its own becoming.”

There are plenty of moments in the book when the author nails it, like he did above. And for that reason, Instant Karma is an entertaining read for both ski bums and armchair ski bums, if such a thing exists. Check it out. It’s available here:

Movie of the Month: MSP’s Push

Posted by – December 15, 2009

Movie of the Month: Push

Director: MSP

Year: 2006

Where can I find it? skimovie.com, netflix.com

MSP’s Push stays true to it’s Crested Butte routes by opening up with a scene shot in CB South. This scene features a local kid who is being egged-on by bigger kids to jump a ramp on his bike. His failure to jump the ramp repeatedly causes the kids to heckle him. But, after the bullies leave, this lone ranger goes for a ride off the ramp. This scene sets the stage for this movie whose theme is athletes who push skiing to the next level.

Push is filmed on location in China, Haines, Whistler, Park City, Japan, Norway, and Terrace, BC and features athletes like Mark Abma, Eric Hjorleifson, Ingrid Backstrom, Sarah Burke, Shane McConkey, Rory Bushfield, Hugo Harrisson, Simon Dumont, Sammy Carlson, Mike Wilson, Mike Douglas, and Chris Rubens.

The first ski scenes in Push feature a mod-podge of skiers and locations with a lot of tumbles, crashes, and tomahawks, again trying to bring the movies theme to life. Athlete voice-overs emphasize that skiing has become a lot more risky over the last 10 years. Lines keep getting gnarlier and longer. Falling doesn’t mean you just hurt your thumb or knee anymore. If you fall on today’s big lines “you’re going to the hospital”. “Sometimes you land and you’re a hero, but if you don’t land you’re on the couch- it’s over.”

Simply stated, as today’s skiers push themselves and their sport to the next level, many of them find themselves paying a price. Throughout the movie, athletes talk about this theme. Sarah Burke mentions how she’s paid the price with broken bones, a torn rotator cuff, and sore knees. Even Shane McConkey has cashed in. This season ended in Haines, AK as he flew down the hill, hit and ice chunk and went tomahawking down-slope, resulting in a dislocated hip. McConkey states, “I have had 6 season-ending injuries over the last 10 years. People always ask me, ‘Is it worth it? Getting hurt that much.’ And the answer is, ‘yes’. I would do it all over again- have 6 more season-ending injuries in the next 10 years in order to keep doing what we get to do. There’s nothing better than sliding down snow and flying through the air.” Yet, skiing lines that ultimately result in injury is not the only way to push skiing to the next level. Eric Pollard states, – “A lot of people are pushing out there… going massive and fast. I like to do that as well, but I just love to find lines that have a lot of flow to them.”

Push is largely divided by athlete segments.

  • Mark Abma- Whistler powder magnificence
  • Simon Dumont- two large jibbing segments
  • Sarah Burke- big air, backcountry booters
  • Eric Hjorleifson- big mountain radness mixed with his overwhelming excitement
  • Shane McConkey- the master, need I say more
  • Rory Bushfield- backcountry booters, big lines
  • Mike Wilson- hucks anything
  • Sammy Carlson- another jib segment
  • Eric Pollard-
  • There were three athlete segments that especially stood out for me in this film. First was Hugo Harrisson’s segment. Hugo seems to ski with a purpose- fast, aggressive, dropping big lines like candy. The second was Ingrid Backstrom’s piece. It is clear now that Ingrid was on the top of her game during the making of this movie. If Ingrid hadn’t been sporting her pink jacket during the making of this movie she could have easily been mistaken for one of the many males shot in this film. Skiing with the aggression of a boy but with the grace of a girl, MSP picked an appropriate tune to accompany her skiing- “The boys wanna be her, the girls wanna be her”. The last segment I particularly enjoyed was that of Chris Rubens. In this scene, Rubens skis high-speed big mountain lines with the cleanliness of McConkey. This segment made me wonder why I haven’t seen Rubens in more ski movies.

    A few segments are divided by location. Push features a trip to China and Japan where boys make magic in the snow to the tune of “I’m Turning Japanese”. Another trip to Stranda, Norway reveals that Norway has lines that rival Alaska. But, most interesting was the heli-skiing segment shot in Terrace, BC. This segment is kept raw and real. There is no music, only wind, voices, grunts, and screams. Here, the athletes flail as much as they thrive. This is true skiing.

    MSP narrates this movie using athlete interviews and voice-overs. I especially like that the film-makers took the time to interview each athlete about the other athletes. For example, Ingrid Backstrom describes Eric Hjorleifson as “passionate about skiing….. It’s not something he’s out there doing for the camera, it’s something he’s doing because he really loves it.” Rory Bushfield asserts, “Wilson is probably one of the craziest people I know, I think. He’ll look at something that’s just completely ridiculous and I don’t think that it crosses his mind that people look at it that it’s ridiculous. He sees it, thinks it’s doable, and goes for it.” Comments like this bring the athletes to life.

    Even though Push is now three years old, it’s still a great movie to see. Avid skiers will appreciate viewing some of these athletes in their earlier stages. If you haven’t seen this movie before, Push is well worth the watch. If you have seen Push in the past, check it out again- you may catch something you haven’t seen before :)

Generations and Climate Change

Posted by – December 8, 2009

Generations is a short film produced by TGR about something that should concern all skiers: climate change. It’s a really good movie, with a lot of historical footage, climate change information, and even a fair bit of top-notch skiing and snowboarding. The download is free, and can be found here. I tend to prefer ski movies with a little bit of plot or storyline in them, and this film was no exception. The kids near the end are hilarious, too.

Meanwhile, my friend Alison Gannett recently walked from London to Copenhagen to attend the Copenhagen Climate Conference and raise awareness for her Save Our Snow Foundation Climate change awareness is something that Alison has been working hard on for several years, and her efforts are noteworthy. Thanks for being such a leader on this issue, Alison!

Finally, I thought I’d mention how sad it is that so many people continue to dismiss climate change and the role humans play. The evidence is overwhelming, and the only studies discounting it seem to come from scientists funded by the oil industry. Even for people who think the entire global warming scenario is something cooked up by environmental extremists, reducing the use of fossil fuels should be a top priority for us all. Reducing our dependence on foreign oil is just one benefit of moving away from fossil fuels. The last time I was in Salt Lake City, the air was so thick with smog I couldn’t see even one block, and I don’t need any studies to know that my burning eyes and the metallic taste in my mouth was not good for me. Take some action, even if it’s just the small things mentioned at the end of Generations, like unplugging as much as you can every time you leave the house, or changing your light bulbs to the new compact florescents. At least check the movie out, it’s worthwhile as a ski flick alone.